I woke up this Christmas Eve with a new anticipation. Instead of performing the traditional caroling and cookie decorating with my family, back in America, I would be traveling to Matsuyama Castle as a Samurai.
By Tim van Gardingen
On an empty train station platform in rural Japan, there is a poster pasted on the wall with a message in imposing red letters: “Stop Karoshi!” Karoshi is a phrase meaning ‘death by overworking’, and the concept has become so normalised that it has entered the Japanese lexicon. The phenomenon, despite efforts to counter it, appears set to stay.
At first glance, the Japanese government appears to be working hard to battle the nation’s unhealthy working hours, but its current approach is at best superficial and at worst a purposeful avoidance of the problem.
By Niall Magee
Last December I went to VR Zone Shinjuku, a virtual reality park in Tokyo, for the second time. It opened in July 2017 and will be closing in March of this year, but another location, VR Zone Osaka, opened last year on floors 8 and 9 of the Umeda HEP Five building. These theme parks are a part of “VR ZONE Project i Can” which is an initiative headed by game/toy company Bandai Namco to popularize virtual reality. It all started with a pop-up VR park that ran from April to October 2016 in Tokyo’s Odaiba district, near the famous giant Gundam statue.
By Jennifer Cerna
“Take a chance, you stupid hoe. 怖がってるんじゃねえ。” –Gwen Stefani
February started off on a positive note. Work was going fine and I no longer felt on the brink of losing anything. I felt extremely busy, and found myself working overtime. One Tuesday, my manager sent me home early for that reason and my week seemed to slow down immediately. I finished my transcription assignments for my other job and got some things done for several police departments.
By Jennifer Cerna
“That was a memorable day to me, for it made great changes in me. But, it is the same with any life. Imagine one selected day struck out of it, and think how different its course would have been.” –Charles Dickens, Great Expectations
Though each day passed in seeming monotony, I can’t say that they hadn’t each injected some influence into my path. One overcast day while riding in the passenger seat in one of my parents’ cars, I suddenly realized that I needed to take responsibility for my life. My life is the way it is because of all of the decisions I have made. Even if I were not the one calling the shots, I was responsible for the ways I reacted to the things that happened. Instead of feeling like a victim of my circumstances, I realized that I needed to take responsibility for those circumstances I found myself in. I resolved to take it upon myself to improve what I could. This changed the way I viewed things and altered the course I was on.
By Michael Nguyen
I am Vietnamese-American.
I’m not Vietnamese. I wasn’t born in Vietnam. I speak the language, but only just. I’ve never been in the country of my ancestors for more than three months at a time. It’s been over 15 years since I’ve been there.
My papers say I am American; they say I was born and raised near Los Angeles, California, and I am a citizen of the United States of America. Despite that, I was taught nothing about meatloaf and hamburgers, about how to throw a football or catch a baseball. Much of what I know about “American life” was learned from TV or learned secondhand.
Yō oideta namoshi! Welcome to Ehime!
Everyone here at Ehime AJET hopes to provide you with helpful and useful information to aid in your transition in our beautiful-citrus filled corner of Japan.
Please check out our different tabs to find out more about life in Ehime.
If you have any questions or suggestions feel free to contact us here at Ehime AJET anytime.
- Your AJET team!
Hello JETs new and old.
The current guidebook on the front page has been outdated for a while, so now we present to you the new guidebook. We hope it is a useful resource to you, worked on each year by the PAs and RAs all around Ehime.
If you find anything that needs adding to the book, or have further questions, please email the PAs at firstname.lastname@example.org
Pirates, Monks, and Inakamono: Ehime in Contemporary Media
Tokyo is the center of Japan’s media industry, the place where a majority of production and marketing happens. The capital’s gravity is felt in everything from films to manga to advertising. Tokyo is modern Japan, and everywhere else assumes an outside position relative to the center.
If you’re interested in this the information site is:
There’s an application form at the bottom of the page, or here’s a direct link:
It really is quite a bit of fun, so if you have a way of getting down to Ainan, definitely give this event a shot.
Take care Ehime