In Gourds We Trust
In Gourds We Trust
Miriam Hemstock
At age 20, just beginning my final year of university and one of the most tumultuous periods of my life, my mother took me out for a day in London. As usual we visited one of our favorite museums, the Tate Modern, without much thought as to what we would see. At the time, a retrospective of Yayoi Kusama’s work was being exhibited. Her obsessively repetitive and mesmerizing work had a resounding effect on me, immediately hypnotizing me with its back story of her 1970s ‘happenings’ and mental health difficulties. Her narrative and her pumpkins then proceeded to shape my developing interest in Japanese art and culture. (more…)
